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playwright and painter
Memory cuts both ways
Their latest target is a priceless ‘Byzantine’ icon hidden in the tower of a chateau by Lake Lucerne
a random act of violence sets off a spinning top
In this delightfully subversive
Behind the Tree Backs Gillian Clarke playwright and painterBehind the Tree Backs investigates a poetics of remembrance through senses that hover just below and just above the skin. The text excavates war and displacement through a constellation of animate memories carved out of deep pleasure as well as brutality, the ancient and the institutional, the everyday and the geopolitical. The book insists on a poetics that recall through vibrating auratic fields, violence, love, and sexuality; these sensations
